Moon Path Press
Poetry Book Release Reading
Brandon Lewis

Featuring World Enough Writers Author
Raúl Sánchez

Sunday, September 20
4 PM Pacific Time
7 PM Eastern Time

Free, Registration Required
Live on Zoom — 75 Minutes
[ZOOM Registration LINK]

hosted by
Lana Hechtman Ayers


Brandon Lewis: The Mended Animal

At the core of The Mended Animal is a baffling loss that cannot be forgotten or transcended. Rather, in poems that are as painful as they are precise, the radiating damage of that loss is traced from the past into the present, from childhood into adulthood, from one place to another, with each place made “sacred and troubled” by human brokenness. Brandon Lewis is writing a poetry of great bleakness, yes, but The Mended Animal is also a work of painstakingly beautiful story, wherein each story’s telling grasps at the unresolved mystery of those we love, of the self, of the human heart and its burdens of grief and vigilance.
   —Rick Barot, author of Moving the Bones


Portrait of Denial

This was before two stints in rehab,
before the shakes and jaundice,
before I lied to my wife about loving her

more than drinking. I remember
thinking that night, unlocking my car
in the Haggen parking lot: What

are the odds? Running into her right
as the doors slid open, our son holding
her hand, yelling Hey it’s Daddy!

I was supposed to be a year sober.
Supposed to be at a meeting then over
to Birch Door Cafe with a group

of old-timers. I tried tucking the sixpack
behind my leg but she saw
and looked away, stepping past me

into the store. Chances are she already
knew, found a bottle under our bed
or buried in my dresser. The wife

who smells another woman on her man’s
clothes and says nothing. But that’s
not like her, I thought, driving home

in the rain. She’s simply moving
through the aisles filling a cart, checking
all the things she needs off her list.

Brandon Lewis was born in Seattle and raised throughout the states of Washington and Montana. He received his BA in English from the University of Washington and his MFA from the Rainier Writing Workshop at Pacific Lutheran University. His first book of poems, The Mended Animal, was a finalist for the 2025 Richard Snyder Memorial Book Prize, as well as the 2025 Sally Albiso Award. His poems have appeared in numerous literary journals, including Chestnut Review, Nashville Review, Naugatuck River Review, Portland Review, and Superstition Review. He currently teaches high school English and lives with his wife and children in a small town not far from Olympia, Washington.

Visit Brandon’s page at MoonPathPress.com

Purchase Brandon’s collection from your favorite retailer:

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Raúl Sánchez: When We Were Water

In Raúl Sánchez’s When We Were Water, selections from his books All Our Brown-Skinned Angels and When There Were No Borders travel to us with abundant new work that continues to experiment in forms and shapes, with odes and acrostic poems, visions and flashbacks, elegies and spirit-journeys, but always with humor and human vitality and a golden thread connecting to Latin roots. This work is free and playful, jazzy and up close, exploding with intensity. These are questing poems, liberation poems, devotional poems, ecstatic poems, comic poems, sincere and lived and opening out.
   —Douglas Cole, author of The Cabin at the End of the World


Ten Years Gone

        in memory of my son,
         Késhava Kumara Sánchez 9-3-1987 to 7-9-2000

I could not
teach my son
how to be a man

he’ll always
be
a boy

standing by the water’s edge
smiling
in that photograph

I speak his name
I speak his name
in silence

Raúl Sánchez is a self-taught poet whose work reflects the immigrant experience as well as his own story. He volunteers as a bilingual mentor in middle schools, detention centers, housing for the homeless and disabled, as well as with immigrants and laborers. He leads community “Poetry in the Park” readings May–September in northeast Seattle. During COVID, he installed a “Poetry Box” in front of his home filled with single poems for the neighbors to put in their pockets as encouragement. He wrote the libretto for the Sinfonía “Moctezuma” monologue in response to Vivaldi’s Motezuma, original version for Orquesta Northwest. Some of his poems have become permanent public art in Seattle and Shoreline.

Visit Raúl's page at WorldEnoughWriters.com

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